Insulating Brick Walls in Old Buildings: Field-Fired Bricks, Moisture and My Energy Concept

Ziegelwand dämmen im Altbau: freigelegte Feldbrandziegel und Kalkputz in der tiefen Fensterlaibung eines sächsischen Bauernhauses in Siebenbürgen

Should you be insulating brick walls in an old building, and if so, how? That was the question in a recent open discussion in a forum, where I was corrected quite clearly. I had written that walls need to breathe. The reply came promptly, appreciative in tone and clear in substance: that statement was simply wrong, and external insulation was the best thing I could do for my wall. In this article, I sum up what I learned from the exchange, where I got it wrong and why I still will not insulate the exterior walls of my house.

If you are new here: I am renovating a Saxon farmhouse in Transylvania, in the village of Cincu (Großschenk), built in 1888. The exterior walls are around 60 centimetres thick and made of field-fired bricks. Around 40 years ago, I trained as a building technician, even though my career later moved towards electronics and IT. Before starting the restoration, I therefore looked very closely at how to approach a house like this properly. That matters more than it might seem at first glance, because field-fired bricks behave quite differently from the solid bricks most people know from tables and calculators.

Key points at a glance:

  • Walls do not breathe. Air and indoor moisture are removed almost entirely by ventilation, not through the wall.
  • What matters in old masonry is moisture transport: the wall must stay vapour-open towards the inside and the outside, so that moisture cannot build up anywhere.
  • Field-fired bricks insulate better than modern solid bricks, roughly like light clay blocks. My 60 cm wall is equivalent to about 4 to 7 cm of polystyrene, and its U-value is roughly 0.45 to 0.7 W/(m²K).
  • On the other hand, field-fired bricks are highly hygroscopic and absorbent. Insulation that traps moisture behind it can damage them permanently.
  • For historic building fabric like mine, wall insulation is therefore often advised against altogether. I would rather save energy at the roof, ceiling, windows and floor.
  • My energy concept makes up for a good part of the higher heat demand of the uninsulated wall: wall heating with an air-to-water heat pump, a split air conditioner for dehumidifying, a heat pump water heater, a rooftop plug-in solar system with battery storage and a wood stove.

What the discussion was about

So that you can follow what I am referring to, here is the core of the post a forum member wrote in reply to my statement (translated from German, slightly adapted and shortened):

“I really admire you for your skills and your knowledge. Maybe you have the time and inclination to read up on thermal insulation and play around with this calculator. […] Your statement that walls need to breathe is absolutely wrong. External insulation, if done properly, is the best thing you can do for your wall and your wallet. The insulating effect of your 60 cm solid brick wall is equivalent to a 3 cm EPS/polystyrene board. In other words, 3 cm of polystyrene halves the heat loss. There are many insulation materials, and you can achieve a lot with little money, especially if you are as good a craftsman as you are.”

I was pleased by the first sentence. I already knew the U-value calculator by ubakus.de (in German), as I had worked with it extensively during the planning phase of my restoration. Still, I took the post as an opportunity to go through my reasoning again carefully and recalculate my wall. My conclusion: on the term “breathing”, the other person is right. But the calculation assumes an ordinary solid brick, and the recommendation to insulate externally does not suit a house like mine.

Do walls need to breathe? The truth behind the myth

The short answer: No, walls do not breathe. There is practically no significant air exchange through a plastered brick wall. Only a very small share of the moisture we release into the indoor air through cooking, showering, sleeping and plants escapes through the wall to the outside. By far the largest part is removed by ventilation, that is, through open windows, leaky joints or a ventilation system.

I found it interesting where the myth comes from. It goes back to an experiment by the Munich hygienist Max von Pettenkofer in 1858. Pettenkofer sealed the windows and doors of a room and found that the air exchange hardly changed. He concluded that the air must be flowing through the brick walls. Among other things, he apparently overlooked the stove, which was connected to the outside air via its flue. Later measurements disproved this, but the term has stuck to this day. You can find a short summary in the article “Vom Mythos der atmenden Wände” on Haustechnikdialog (in German).

In this respect, the person in the forum was right, and I had used the term too casually.

What I actually meant: vapour-open in both directions

Behind my poorly worded statement, however, lies an idea I stand by: what actually happens in old masonry is not breathing but moisture transport. Three processes play a role:

  • Vapour diffusion: Water vapour migrates through the building component, in winter mostly from the inside to the outside, in summer and with a damp façade also the other way round. How easily this happens is described by the sd-value of a material.
  • Sorption: Hygroscopic building materials absorb water vapour from the air, store it in their pores and release it again when the air is dry. In this way, they buffer moisture peaks in the room.
  • Capillary transport: Liquid water is conducted through the fine pores of brick, lime mortar and lime plaster and can evaporate at the surface.

A house from the 19th century usually has no damp-proof course against rising damp, and the foundations sit directly in the soil. Moisture therefore comes from below, from outside with driving rain and from the indoor air inside. Such walls have worked for well over a hundred years because they can absorb water and release it again to both sides. This ability to dry out is what I really meant by “breathing”.

In short: Walls do not breathe in the sense of air exchange. But old masonry must remain vapour-open towards the inside and the outside. Any layer that slows drying in one direction, whether an insulation board, a vapour retarder, a cement render or a dense paint, can cause moisture to build up behind it.

Field-fired bricks: why my wall is not an ordinary solid brick wall

The forum post spoke of a “solid brick wall”. That is an understandable misconception, because from the outside the bricks look similar. Strictly speaking, though, my house is built of field-fired bricks. These are bricks that were not fired in a brickworks with an industrial kiln but in simple field kilns or clamps, often close to the building site.

This gives them different properties from a modern, industrially fired solid brick:

  • Lower and uneven firing temperature: The bricks are less sintered, more porous and lighter. One and the same wall can contain bricks of different quality.
  • Better thermal protection: Because of the high proportion of pores, their thermal conductivity is roughly in the range of a light clay block and thus well below that of a modern solid brick.
  • Highly hygroscopic and absorbent: Field-fired bricks take up moisture from the air and liquid water much faster and in greater quantities than a modern solid brick. But they also release it again if you let them.
  • More sensitive: Softer, less strongly fired bricks are sensitive to frost and salts if they stay wet permanently. A capillary-active lime plaster protects them without sealing them in.

For the question of whether I should insulate my brick wall, this has two consequences: the wall insulates better on its own than the forum calculation assumes. And its biggest risk is not the cold, but moisture that can no longer dry out.

The numbers: what does my 60 cm field-fired brick wall really achieve?

The claim in the forum was that my 60 centimetres of brick insulate as well as 3 centimetres of polystyrene. I did the maths, once for a typical solid brick and once for my field-fired brick.

How the U-value works

The U-value (thermal transmittance) indicates how much heat is lost per square metre of wall area and per degree of temperature difference between inside and outside. The unit is W/(m²K). The lower the U-value, the better the wall insulates.

It is calculated from the thermal resistance R of each layer: thickness divided by thermal conductivity (λ, lambda). The resistances of all layers are added up, plus small surface resistances. The U-value is then the reciprocal of the sum.

Solid brick, field-fired brick and polystyrene compared

A typical solid brick has a thermal conductivity of about 0.68 W/(mK). For my field-fired brick, I calculate with around 0.4 W/(mK), based on light clay blocks. Because the bricks vary so much, I also looked at a range of 0.3 to 0.5 W/(mK). EPS (polystyrene) is around 0.035 W/(mK).

  • 60 cm solid brick: 0.60 m ÷ 0.68 W/(mK) = R ≈ 0.88 m²K/W, equivalent to about 3 cm of EPS
  • 60 cm field-fired brick: 0.60 m ÷ 0.4 W/(mK) = R ≈ 1.5 m²K/W, equivalent to about 5 cm of EPS
  • 3 cm EPS: 0.03 m ÷ 0.035 W/(mK) = R ≈ 0.86 m²K/W

For an ordinary solid brick, the statement from the forum is therefore correct. My 60 centimetres of field-fired brick, on the other hand, are equivalent to about 4 to 7 centimetres of polystyrene, depending on the brick. Including plaster and surface resistances, I arrive at a U-value of around 0.58 W/(m²K), within a range of about 0.45 to 0.7.

For comparison: in Germany, the Building Energy Act (GEG) requires a U-value of no more than 0.24 W/(m²K) when an exterior wall is renovated, but provides exemptions for listed buildings and historic building fabric worth preserving. Romania has its own requirements, currently the Mc 001/2022 standard. I use the German value for orientation only.

Damp field-fired bricks insulate worse

The lambda value from tables applies to dry material. Water conducts heat many times better than the air in the pores. Precisely because field-fired bricks have so many pores and absorb so much water, their actual thermal protection depends heavily on their moisture content. For me, this is the most important idea in this article: a dry field-fired brick wall is itself a useful thermal barrier. If you keep it dry, you improve its insulating effect without fixing a single board to it. If, on the other hand, you add insulation that traps moisture behind it, you worsen precisely this property and also risk damaging the brick.

What insulation would achieve on paper

For the sake of completeness, I calculated several variants with λ = 0.4 W/(mK) for the field-fired brick. The values are approximations and apply only to dry masonry. Such a calculation does not reflect possible moisture damage:

Build-up (on 60 cm field-fired brick, plastered) U-value approx. in W/(m²K) Heat loss compared to existing wall
Existing wall without insulation 0.58 100 %
+ 5 cm insulating lime plaster (λ ≈ 0.07) 0.41 approx. 71 %
+ 3 cm EPS (λ 0.035) 0.39 approx. 67 %
+ 6 cm wood fibre (λ 0.040) 0.31 approx. 53 %
+ 10 cm EPS or mineral wool (λ 0.035) 0.22 approx. 38 %

This clearly puts the forum statement into perspective: on my field-fired brick wall, 3 centimetres of polystyrene do not halve the losses, they reduce them by around a third. A noticeable improvement would require 6 to 10 centimetres, which are exactly the thicknesses at which the intervention in the wall’s moisture behaviour is greatest. For my house, benefit and risk are therefore in a different relationship than for an ordinary solid brick.

My wall also performs better than expected in terms of comfort. With minus 10 degrees outside and 20 degrees inside, its inner surface reaches just under 18 degrees by calculation. With 10 centimetres of insulation, it would be around 19 degrees. One degree more on the wall surface is pleasant, but for my house it does not justify the risk to the building fabric. On top of that, my wall heating warms the wall surfaces directly anyway. I describe how this works further down.

My tip: Calculate your own wall yourself, but with the right material. In the U-value calculator by ubakus.de, you can enter your wall build-up layer by layer and adjust the thermal conductivity if your material is not in the database. Whether you calculate with 0.4 or 0.68 W/(mK) changes the result considerably. But bear in mind: the U-value says nothing about how moisture behaves in an old, absorbent wall over the years. Only a hygrothermal simulation, for example with WUFI, or the experience of specialists in historic buildings can tell you that.

Insulating brick walls in historic buildings: why I decided against it

For an ordinary old building made of solid bricks with dry masonry, the person in the forum has a point in terms of building physics: if you insulate at all, outside is usually better than inside, because the wall then lies on the warm side. For historic building fabric like mine, however, experts in heritage conservation and old building renovation often advise against insulating the exterior walls altogether. Based on everything I worked out before starting the restoration, I share this view. The reasons:

  1. Moisture builds up behind the insulation: With external insulation, the wall dries out less well towards the outside. With internal insulation, the wall becomes colder, and condensation can form at the boundary between insulation and masonry. In both cases, moisture collects exactly where you cannot see it.
  2. Field-fired bricks are particularly sensitive: Because they absorb so much water, salts accumulate in a permanently damp wall. Frost can then spall the soft brick from the outside, and plaster comes loose.
  3. Rising damp cannot be insulated away: Without a damp-proof course, the wall will always draw moisture from the ground. It must be able to release this moisture to both sides.
  4. Lime plaster and lime mortar: Historic building fabric is designed for mineral, capillary-active materials. Even a cement render or an emulsion paint can disturb this system, let alone an insulation layer.
  5. The village character: The street façades of the Saxon villages with their gables, cornices and gateways are part of a cultural heritage. That is why a façade would have to be rebuilt after insulating. I have found no information on whether the thick layers of plaster this requires would hold on the insulation or affect it. Depending on the location, heritage protection requirements also apply in Transylvania, which should be clarified with the responsible authority beforehand.
Important: If you are still considering wall insulation on an old house, only use materials that are vapour-open and capillary-active in both directions, and only after professional advice from someone experienced with historic buildings. Check the moisture situation first: is the wall wet at the base, are salts blooming, is the brick crumbling? Then insulation has no place on this wall until the cause has been fixed.

Insulation materials: what is out of the question for my house

The forum’s point that there are many insulation materials is true. For a wall made of field-fired bricks, however, this variety narrows down quickly. Here is my assessment:

Ruled out: EPS, ETICS and vapour retarders

Polystyrene is cheap and insulates very well, but it has a high vapour diffusion resistance and is not capillary-active. On an absorbent, moisture-laden wall, it is for me the opposite of what the wall needs. The same applies to external thermal insulation composite systems (ETICS) with synthetic resin render and to internal insulation with a vapour retarder or vapour barrier.

Critical: wood fibre and mineral wool

Both are vapour-open and much more compatible than EPS. However, they are not capillary-active and still change where and how the wall dries out. On dry masonry without heritage status, they can be an option. For my field-fired brick wall, I consider the risk higher than the benefit, even without heritage status.

Critical: capillary-active internal insulation

Calcium silicate or mineral insulation boards are considered the most compatible form of internal insulation in old buildings. But they, too, make the wall colder and shift its moisture behaviour. Without a simulation and professional support, I would not tackle this in my house.

Conceivable at most: lime plaster and insulating lime plaster

For me, a good, sufficiently thick lime plaster is not insulation in the true sense but part of the moisture protection. It is vapour-open, capillary-active and protects the brick. An insulating lime plaster with lightweight aggregates such as perlite improves thermal protection somewhat but remains part of the wall’s system. If I change anything on the walls at all, it will be in this direction and only after consulting specialists.

My tip: With field-fired bricks, the best lambda value is not what counts, but whether the wall can still dry out in both directions afterwards. If you do not get a clear answer to that, you are better off leaving the wall as it is and investing in the other building components.

Where I save heat instead

Precisely because my field-fired brick wall insulates better than initially assumed and I do not want to insulate it, the other building components come to the fore. Here, a lot can be achieved with little risk:

  • Top floor ceiling and roof: Warm air rises. Insulating the ceiling to the unheated attic is usually one of the cheapest measures with a big effect, and many people can do it themselves. In my house, the ceiling to the attic had already been insulated with a clay-and-straw fill.
  • Windows and doors: Single-glazed windows and leaky doors cause draughts. Often it helps just to refurbish old windows, seal them or add a secondary inner window. Here, too, the living areas of my house already had box-type double windows, which I simply upgraded, fitting the inner sashes with a seal.
  • Floor: A lot of heat is lost, especially with floorboards directly over the ground or over a cellar. My house already had a clay fill here as well. Only the former carpentry workshop had no cellar and just a rammed earth floor with boards over it. There, I dug down to just above the bottom edge of the foundation, filled it with drainage gravel and installed a 10 cm layer of rigid EPS foam before laying the new floor.
  • Air leaks: Cracks, openings and open chimney flues cause uncontrolled air exchange.
  • Dry walls: Splash-water protection, intact gutters and an exposed plinth keep the wall dry and thus improve its insulating effect.
  • Radiant heat: A heating system that warms the walls keeps the masonry dry and provides comfort even when the air is a little cooler. In my house, wall heating takes care of this.

My energy concept: wall heating, heat pumps, solar power and a wood stove

I do not want to gloss over anything: an uninsulated wall loses more heat than an insulated one, and I need more energy as a result. Instead of wrapping up the wall, I therefore started with the building services. My setup consists of several components that complement each other:

  • Wall heating with radiant heat as the main heating system
  • Air-to-water heat pump supplying the wall heating
  • Split air conditioner for cooling, heating in spring and autumn and, above all, dehumidifying
  • Heat pump water heater for hot water
  • Solar panels on the roof, set up as a plug-in solar system with battery storage, for my own electricity
  • Wood stove to use the firewood from my own property

Wall heating: radiant heat like a tiled stove

With wall heating, water-carrying pipes are embedded in the wall plaster. The wall becomes a large, evenly warm heating surface and gives off its heat mainly as radiation, much like a tiled stove. Radiant heat warms people and surfaces directly rather than primarily the air. That is why a room feels comfortable even at a slightly lower air temperature, and less dust is stirred up than with radiators.

For an old field-fired brick wall, this has another advantage: warm wall surfaces keep the masonry dry on the inside. Condensation and mould in cold corners hardly stand a chance. In this way, the wall heating supports exactly what this article is about: a wall that stays dry and can dry out in both directions.

Low flow temperature for the heat pump

Because the heating surface is so large, a low flow temperature is sufficient. A heat pump is deliberately designed and set up for the lowest possible flow temperature. In my house, it is around 10 degrees below what gas heating systems are typically run at. This is exactly the range in which an air-to-water heat pump works efficiently. As a rule of thumb, every degree less flow temperature improves the efficiency of a heat pump by about 2 to 2.5 percent. With a difference of 10 degrees, that is a noticeable effect.

To be honest, there is also this: wall heating on an exterior wall raises its temperature and thus slightly increases the heat loss to the outside. I accept this disadvantage deliberately, because in my house the benefits for comfort, efficiency and building fabric outweigh it.

Split air conditioner: cooling, heating and above all dehumidifying

An air conditioner in a farmhouse from 1888 may sound unusual at first. For me, though, it is an important component, for three reasons:

  • Dehumidifying: This is the most important point for me. On humid summer days, the outside air brings a lot of moisture into the house, which can settle in the cooler, hygroscopic walls. The air conditioner lowers the humidity in the room. This protects the field-fired bricks and the plaster and helps the wall dry out towards the inside as well.
  • Heating in spring and autumn: When it is only cool in the mornings and evenings, the split air conditioner heats quickly and efficiently as an air-to-air heat pump, without the slow-reacting wall heating having to start up.
  • Cooling: Summers are getting hotter in Transylvania, too. The thick walls stay cool for a long time, but at some point even they heat up.

My unit has no app control. So I built my own connector that communicates with the unit via the remote control interface. This lets me integrate it into my smart home and control it automatically, for example depending on outdoor and indoor humidity or on the solar power available.

Heat pump water heater for hot water

Hot water is provided by a heat pump water heater. Together with the split air conditioner, it was originally intended as an interim solution until my final setup was decided. Both have proven themselves so well, however, that they will stay in use.

Solar power from the roof reduces costs

On my roof there is a solar system with 2,000 Wp of module capacity and an inverter with 800 W output, set up as a plug-in solar system (in German: “Balkonkraftwerk”, balcony power plant). An EcoFlow Delta 3 Plus is currently connected to it as battery storage. It stores surplus solar power during the day and releases it in the evening and at night, when the modules no longer deliver anything. Together, they supply part of the electricity for the heat pumps, the air conditioner and the household and reduce running costs. This way, I can offset a good part of the extra consumption caused by the uninsulated wall without interfering with the building fabric.

To be honest, it is not quite perfect: the heat pump for the wall heating needs the most electricity in winter, when the solar system delivers the least. Other consumers, on the other hand, match the sun all the better. The air conditioner cools and dehumidifies exactly when the modules deliver the most power. The heat pump water heater can heat its water with solar power during the day. And in spring and autumn, when heating is still needed and the sun is already or still shining strongly, my own electricity makes a noticeable contribution to lowering costs. A contribution to environmental protection and sustainability comes on top.

By the way, a plug-in solar system is a good way to start if a large rooftop installation is not (yet) an option. It mainly covers the household’s base load during the day and, with a small storage unit such as a portable power station, part of the consumption in the evening. Across the EU, such plug-in solar devices may feed a maximum of 800 W into the grid via the micro-inverter. In Germany, the module capacity is additionally limited to 2,000 Wp. How the system has to be registered differs from country to country: in Germany, it only needs to be entered online in the Marktstammdatenregister (the national registry), which takes about 10 minutes. In Romania and other countries, you should check the local rules beforehand.

A wood stove for my own firewood

The last component is a wood stove. Firewood accumulates regularly on the property, and I would rather use it in my own stove than leave it lying around. The stove also provides pleasant radiant heat and steps in exactly when it is coldest outside and the solar system delivers the least power.

The charm of the old farmhouse remains

One point matters to me almost as much as the technology: there are no radiators on the walls in my house. The rooms keep their original look and shape, nothing obstructs walls or window recesses, and the charm of the old farmhouse is preserved inside. The main heating is there, but you cannot see it.

My tip: If you have an old house with solid, uninsulated walls, it is worth taking a look at surface heating such as wall or underfloor heating. Large heating surfaces allow low flow temperatures, and that is exactly what you need for a heat pump to work economically in an old building, too. Make sure the plaster around the heating pipes suits the masonry and stays vapour-open.

How I am approaching my house in Cincu

The discussion in the forum sharpened my terminology and confirmed my position. This is how to approach the matter systematically:

  1. Survey of the existing building: Check where the walls are damp, where plaster is flaking off, where bricks are crumbling and where salts are blooming. Measuring the moisture in the masonry is part of this.
  2. Eliminate the causes: Keep rainwater away from the plinth, check gutters and downpipes, lower the soil at the plinth where it is too high.
  3. Remove disruptive layers: Where cement render or dense paints have been applied, they must be removed and replaced with lime plaster and lime paint.
  4. Start at the top: Insulate the ceiling to the attic if this has not been done yet.
  5. Windows and doors: Refurbish them and seal them properly without losing their historic character.
  6. Leave the walls alone: The exterior walls remain uninsulated and vapour-open in both directions.

I report on the individual steps here on the blog, including the ones where something does not work out.

Contacts and further information

If you have an old house with solid brick walls yourself, these sources will help you further. Most of them are in German:

  • ubakus.de – U-value calculator: free online calculator for wall build-ups with condensation and temperature calculation.
  • Interessengemeinschaft Bauernhaus: association with a great deal of experience in preserving old rural buildings.
  • Mihai Eminescu Trust: foundation that has been restoring houses in the Saxon villages of Transylvania with traditional techniques for many years.
  • Deutsche Stiftung Denkmalschutz (German Foundation for Monument Protection): the largest private initiative for the preservation of historic monuments in Germany, with information on the careful renovation of old buildings.
  • WTA guideline 6-4 “Internal insulation according to WTA I”: the planning guide of the International Association for Science and Technology of Building Maintenance and Monuments Preservation (WTA), helpful for understanding the risks of internal insulation.
  • WUFI by Fraunhofer IBP: software for hygrothermal simulation, used by specialist planners to calculate the moisture behaviour of walls over several years.
  • Zukunft Altbau: independent information programme on the energy-efficient renovation of existing buildings.

Frequently asked questions about insulating old brick walls

What is a field-fired brick?

A field-fired brick is a historic brick that was not fired in a brickworks with an industrial kiln, but in a simple field kiln or clamp, often right next to the building site. Because of the lower and uneven firing temperature, it is more porous, lighter and much more absorbent than a modern solid brick.

How well does a 60 cm thick field-fired brick wall insulate?

Better than a wall made of modern solid brick. With a thermal conductivity in the range of a light clay block, roughly 0.3 to 0.5 W/(mK), its insulating effect is equivalent to about 4 to 7 centimetres of EPS. Depending on the brick and its moisture content, the U-value is about 0.45 to 0.7 W/(m²K). A 60 cm wall made of ordinary solid brick, by contrast, is equivalent to only about 3 centimetres of EPS.

Should you insulate an old brick wall?

For historic building fabric with field-fired bricks, lime mortar and no damp-proof course, it is often advised against altogether, because moisture can build up behind the insulation and damage the masonry. If you still want to insulate, you should only use materials that are vapour-open and capillary-active in both directions and seek professional advice.

Do old walls need to breathe?

No, walls exchange practically no air. The myth goes back to a flawed experiment by Max von Pettenkofer in 1858. Old walls must, however, be vapour-open so that moisture entering from below, through driving rain or from the indoor air can dry out again towards the inside and the outside.

What does “vapour-open in both directions” mean?

It means that no layer of the wall, neither inside nor outside, significantly slows the passage of water vapour. This allows the wall to dry out towards the drier side, depending on the season and the weather. Lime plaster and lime paint meet this requirement; cement render, emulsion paint, vapour retarders and polystyrene do not.

How can I improve the energy efficiency of an old house without wall insulation?

The biggest levers are usually the top floor ceiling, the windows and doors, the floor and air leaks. In addition, the walls should be kept dry, because dry masonry insulates better than wet masonry. On the building services side, surface heating such as wall heating, combined with a heat pump, your own solar power and possibly a wood stove, helps to offset the higher heat demand of an uninsulated wall. An air conditioner with a dehumidifying function helps keep the indoor air, and thus the walls, dry in summer.

Is wall heating suitable for an old farmhouse?

Yes, often very much so. Wall heating gives off radiant heat similar to a tiled stove, keeps the wall surfaces warm and dry and works with low flow temperatures. In my house, the air-to-water heat pump runs at a flow temperature around 10 degrees below what gas heating systems typically use, which makes it more efficient. In addition, the rooms remain free of visible radiators.

What I take away from the discussion

I am grateful for this exchange. It does not happen often that someone points out a mistake so clearly and at the same time so appreciatively. My statement that walls need to breathe was technically wrong, and I will no longer use it that way. In future, I will say more precisely what I meant: old walls must remain vapour-open in both directions.

The discussion also shows how important it is to know your own material precisely. With the values of an ordinary solid brick, a wall like mine is rated worse than it actually is. And it is easy to overlook where its real risk lies: in the high absorbency of the field-fired bricks. For a house like mine, the answer to the question of whether to insulate the brick wall is therefore: better not. I put my money and my working time into the roof, ceiling, windows, floor and dry walls. I offset a good part of the higher heat demand with wall heating, heat pumps, my own solar power and wood from my own property. The air conditioner helps me keep the walls dry in summer. And all this without a single radiator spoiling the charm of the old rooms.

How about you? Have you had any experience with field-fired bricks or old brick walls, insulated or uninsulated, perhaps even in a house in Transylvania? Feel free to write to me in the comments. I am happy about every tip, and as this story shows, I like to keep learning.

Building Protection: Stopping Rising Damp in Old Buildings and Restoring Historic Floors

When you renovate an old building, you know this moment: You enter a room on the ground floor that hasn’t been properly heated or ventilated for years. It smells earthy, slightly musty, and the cold literally creeps up your legs from below. During my restoration project, an old farmhouse from 1888 in Transylvania, I faced exactly this fundamental problem. Continue reading “Building Protection: Stopping Rising Damp in Old Buildings and Restoring Historic Floors”

Applying Lime Plaster to Mixed Masonry

Eine teils verputzte historische Wand aus Bruchstein und Feldbrandziegeln, die zeigt, wie man fachgerecht Kalkputz auf Mischmauerwerk auftragen kann, mit einer Maurerkelle im Vordergrund.

When I bought my old farmhouse from 1888 in Romania in 2016, I knew there would be a lot of work ahead of me. But only when I started knocking the layers of plaster off the walls did the true structural challenge of this project reveal itself. Beneath the crumbling plaster emerged a fascinating, yet building-physics-wise highly demanding structure: a solid mixed masonry consisting of hard, cool Saxon rubble stones and relatively soft, extremely absorbent field-fired bricks. Continue reading “Applying Lime Plaster to Mixed Masonry”

Supporting Ceiling Beams in an Old Building: How to Safely Prop Up a Wooden Beam Ceiling

Temporäres Abfangen alter Deckenbalken aus Eiche im Altbau mit lotrecht aufgestellten Stahl-Baustützen auf lastverteilenden Bohlen.

Supporting Ceiling Beams in an Old Building: How to Safely Prop Up a Wooden Beam Ceiling

Imagine standing in a room that has survived almost unchanged for well over a hundred years. The air smells of fine dust, dry wood, and the history of generations. That is exactly how I felt when I took over my house from 1888 and grasped the full dimensions of the ground floor for the first time. Continue reading “Supporting Ceiling Beams in an Old Building: How to Safely Prop Up a Wooden Beam Ceiling”

The Dry Stone Wall Made of Fieldstones

Aufbau einer Trockenmauer aus Feldsteinen an einem Hang: Die erste Steinreihe wird auf einem Sandbett mit einer gelben Wasserwaage und einer Richtschnur exakt ausgerichtet. Im Vordergrund liegen zwei Steinhammer im Sand.

The hilly landscapes of Transylvania are characterized by a rugged, natural beauty. If you own or manage a property in this region, you are often faced with the challenge of securing the soil from slipping on slopes. Concrete walls are functional, but rarely blend harmoniously into the rural, historical picture and also seal valuable surfaces. A traditional and ecologically much more sensible alternative is the dry stone wall made of fieldstones. Continue reading “The Dry Stone Wall Made of Fieldstones”

Sandblasting or Sanding Old Wooden Beams?

Aufnahme eines handgehauenen Eichenbalkens mit deutlichem Vorher-Nachher-Kontrast nach der Reinigung.

When exposing old, hand-hewn oak beams in your home, you often face a major challenge: the beams have darkened significantly over the decades or centuries, they have often been painted – at best with easily removable limewash, at worst with stubborn oil paint – or they are simply extremely dusty. To fully bring out the rustic character of the hand-hewn beams indoors, they must be cleaned.

But which method is the right one for hand-hewn oak beams? In this article, I compare the most common approaches: low-pressure sandblasting, dry ice blasting, and mechanical sanding using a brush sander or a wire brush attachment for a drill or angle grinder.

Preparation: Safety and Preliminary Work

Before you choose a method, there are steps and safety precautions that are absolutely essential. Old beams are often full of surprises and carry hidden risks.

Important Health Warning: Oak Wood Dust

Oak wood is beautiful, but its sanding dust is extremely dangerous and is considered carcinogenic. When sanding or blasting oak beams indoors, professional respiratory protection (at least an FFP3 mask) is absolutely mandatory. You must ensure powerful dust extraction (dust class M or H) and completely seal off adjacent living spaces to avoid endangering your health and that of your family.

My practical tip: Meticulously examine the wood for old, hand-forged nails, screws, or staples. A metal detector, more precisely a so-called pinpointer, does a great job here. Personally, I use the Garrett Pro-Pointer 2 for this task. Thanks to its handy shape, you can scan the beams centimeter by centimeter and accurately locate even deeply embedded metal parts that are often invisible from the outside.

Since it is extremely time-consuming to put down the tool after every find to pull the nail, I work in stages: Find the metal piece, make it visible, and simply mark the spot with a dot of spray paint. This way, you can complete the entire search first. In the second step, you take the tool and remove or countersink all marked nails in one go. In the third step, do a quick final check with the pinpointer. The sprayed paint will simply be removed during the subsequent cleaning (sanding or blasting) anyway. Take this preparation seriously: an overlooked nail can not only ruin your brush sander immediately, but it can also cause dangerous sparks or unsightly rust marks during blasting.

The Comparison: Blasting, Brush Sander, and Wire Brush

Hand-hewn wood is characterized by its uneven, wavy surface – the so-called axe marks. This is exactly the structure you want to preserve.

Method 1: The Brush Sander (Burnishing Machine)

A brush sander with a nylon or brass brush is an excellent choice for DIY enthusiasts. The rotating brush adapts well to the unevenness of the hand-hewn wood without changing its basic shape. This gives you very good control over the material removal.

Method 2: The Wire Brush (for Drill or Angle Grinder)

A very popular and inexpensive variant is the use of wire brush attachments (cup or wheel brushes) for the drill or angle grinder. This method is significantly more abrasive than the standard brush sander. This is particularly advantageous if you need to remove stubborn oil paint. In addition, narrow wire brushes are excellent for reaching into large cracks and deep joints in the wood. But beware: the rotating wire bristles can be extremely aggressive and leave deep grooves in the wood if too much pressure is applied.

Method 3: Low-Pressure Blasting

In low-pressure blasting, a fine abrasive (such as glass beads, walnut shells, or special sand) is blown onto the wood with relatively low pressure. This method cleans deep into the tightest crevices and wormholes that you would never reach with a brush. The result is often very uniform.

Method 4: Dry Ice Blasting

A particularly gentle premium alternative is dry ice blasting. Here, frozen CO2 pellets are shot at the wood, blasting away dirt or stubborn oil paint upon impact, and then immediately dissolving into gas. No abrasive is left behind, only the removed dirt. This method is extremely gentle on the historical wood structure, but usually more expensive as it is almost always carried out by professionals.

Cost-Benefit Comparison & Important Warning Regarding Patina

Mechanical Sanding (Brush Sander & Wire Brush): Lower initial costs (approx. 100 to 300 euros, wire brush attachments are even cheaper), ideal for smaller areas and individual rooms. Good for limewash, but soft brushes smear quickly with tough oil paint, which is where the wire brush shows its strengths. However, the time required is enormous, and the work is very physically demanding.

Low-Pressure & Dry Ice Blasting: High costs for renting a compressor and blasting equipment or hiring a specialist company. However, these methods save an extreme amount of time for large areas and thick layers of paint.

Warning: Proceed carefully with all methods! Too aggressive removal (especially with coarse wire brushes) destroys the historical patina and the unique axe marks of the oak beams. Once sanded away, this historical character is irretrievably lost.

Step-by-Step to the Perfect Beam Look

To ensure your project is a success, you should proceed systematically:

  1. Remove nails from the beams: Pull all metal parts with pincers or a crowbar. If they are stuck too tightly, drive them deep into the wood with a punch.
  2. Choose a method: Weigh up whether to use a brush sander, a wire brush, or a blasting method based on the room size, your budget, and the coating (limewash vs. oil paint).
  3. Install dust extraction and protection: All methods generate immense amounts of dust. When sanding, a strong industrial vacuum cleaner connected directly to the machine is mandatory. When blasting, you must completely cover the room with plastic sheeting and create negative pressure. Due to the carcinogenic oak wood dust, wearing an FFP3 respirator mask is absolutely essential!
  4. Surface treatment with boiled linseed oil: Once the wood is cleaned and free of dust, the finish is applied. Paint the oak beams with high-quality boiled linseed oil (Leinöl-Firnis). The oil enhances the grain, protects the wood, and gives it a warm tone. Especially as a photographer, I appreciate how the linseed oil makes the natural contrasts of the wood shine – this later creates wonderful, three-dimensional motifs in the room.

Further Information Sources

If you want to read more deeply into the subject, here are some valuable resources:

  • Safe handling of wood dust: The information from the BG Bau (German construction industry employers’ liability insurance association) will help you protect your health while sanding.
  • Expert knowledge on woodworking: On platforms like Holzwerken.net, you will find many tips on dealing with historical woods and natural surface treatments.

Take your time with this project. The effort is worth it when the old oak beams finally shape your living space as an impressive testament to the past.

Reactivating the Traditional Summer Kitchen: From Ruin to Culinary Centerpiece

Freigelegte Grundmauer und Ruine meiner alten Sommerküche aus Stein und Ziegeln neben meinem Bauernhaus in Siebenbürgen, bereit für die Renovierung.

The thought of standing in a cool, shady outdoor kitchen on a hot July day, while the scent of fresh herbs and roasted food wafts through the garden, is deeply soothing. In the past, the summer kitchen was standard in the countryside – it kept the heat of the stove away from the main house and was the center for preserving the harvest. Today, this place is experiencing a renaissance.

In this post, I will show you how to renovate an old summer kitchen, what practical benefits it offers you today, and what you should consider during the planning phase.

A Look at Transylvania: From Wooden House to Stone Courtyard

To truly understand the origin and necessity of the summer kitchen, it is worth taking a look at the historical construction methods, for example in Transylvania. In the past, pure wooden houses dominated the villages there. Wood was abundantly available in the adjacent Carpathian Mountains and was the logical building material of choice.

However, due to intensive mining, agricultural clearing, and the generally high demand for wood, the forests shrank visibly. In the 18th century, the rulers of the Habsburg Empire – especially Maria Theresa – intervened rigorously. In order to conserve the valuable wood resources and above all to contain the devastating village fires that regularly destroyed wooden houses, the construction of stone houses was heavily promoted and partly made compulsory.

In the course of this, the architecture of the farmsteads changed massively. To minimize the risk of fire and the enormous heat development in the new, massive main house, fire-intensive activities were relocated. Baking, laundry care, and, of course, cooking in the hot months now took place in a separate building. The summer kitchen became a fixed, indispensable component, not only of the Transylvanian Saxon farmstead.

Why Reactivation is Worth It for You

Before you reach for the hammer, it is good to visualize the added value today. A summer kitchen is much more than just a covered barbecue area.

  • Thermal relief: Your residential house stays significantly cooler in the summer, as the oven and stove are operated outside.
  • Odor control: Strong odors from roasting, deep-frying, or preserving dissipate immediately in the fresh air and do not settle in your living spaces.
  • Social center: Cooking transforms from an isolated process in the house kitchen into a communal experience outdoors.
  • Harvest processing: If you grow your own fruit or vegetables, you can wash, clean, and preserve them directly in the garden without carrying the dirt into the house.
My tip: Check the existing connections in your outbuilding beforehand. Often, under old floors or in the walls, there are still water pipes or power connections that can be reactivated by a professional with manageable effort. This saves you high development costs for your project.

Step by Step: Renovating Old Substance

Many old summer kitchens are located in former washhouses or sheds. The building fabric is usually solid but requires attention after years of vacancy.

1. Inventory and Drainage

Often, rising damp is the biggest problem. Check the roof and the floor slab. If you are renewing the floor, ensure a slight slope towards the door – this way, you can easily hose down and clean the room later.

2. The Choice of Surfaces

In a summer kitchen, which is usually not heated in winter, there is fluctuating humidity.

  • Walls: Pure lime plaster or silicate paints are ideal, as they are breathable, regulate moisture, and naturally prevent mold growth.
  • Worktops: Natural stone, polished concrete, or hard-wearing tiles are robust, weatherproof, and easy to clean.

3. Stove and Oven: The Heart

An old, wood-fired kitchen stove exudes pure nostalgia, but is often impractical for a quick coffee. A clever combination of a modern induction hob (for everyday use) and a restored wood-fired oven or barbecue fireplace offers you maximum flexibility.

Equipment and Functionality

To make working in your new old summer kitchen a joy, the ergonomics must be right. Think about short distances between the sink, workspace, and cooking area.

  • Lighting plan: Since you will often sit outside and cook late into mild summer evenings, good, glare-free lighting of the workspaces is essential. Indirect, warm white light also creates the necessary atmosphere when the food is on the table.
  • Storage space: Use open shelving systems made of metal or oiled wood. Closed cupboards in unheated, damp rooms tend to develop musty odors over the winter months.

Further Information and Sources

If you want to delve deeper into the matter, these contact points will help you with your planning:

  • The Renovation Bible: An absolute must for your project is the book „Das sächsische Bauernhaus in Siebenbürgen. Was wie machen an alten Häusern“ by Jan Hülsemann. It is rightfully considered the bible for renovators of Transylvanian farmsteads and provides you with invaluable, practical tips on preserving the historical substance.
  • Building culture and history: You can find more about the historical development of farms and construction methods in Transylvania at the Fortified Churches Foundation (Stiftung Kirchenburgen), which deals intensively with the architectural heritage of the region.
  • Traditional crafts and building materials: A local network is crucial for an authentic renovation in Transylvania. The Mihai Eminescu Trust is strongly committed to preserving the village building culture and often provides contacts to traditional craftsmen (such as clay builders) or sources for historical materials (e.g., hand-molded bricks). Another way is to ask directly in neighboring villages for unused demolition material.
  • Local building law (Romania): The first step for a building permit (Autorizație de construire) leads to the local town hall (Primărie). If your farm is located in a protected zone, the County Directorate for Culture (Direcția Județeană pentru Cultură) must be involved. To reactivate old chimneys, you should also consult a local chimney sweep (Coșar) to meet the current fire protection regulations of the fire brigade (ISU).